As someone fascinated by box office data, it has long saddened my that there is little in the way of historical records for the performance of films in the Australian Market. For recent years there is, of course, a wealth of accurate information but the further we go back in time the less available and reliable it becomes. Thankfully Variety did offer some sparse but valuable reporting throughout the 70s and 80s but before that there is next to nothing that can provide a reasonable snapshot of what the public were (or not) paying to see. Film Weekly remains a crucial resource for snippets of information and anecdotal reporting of how films were faring in city theatres, but accurate representations are still frustratingly elusive. It does not help that (thank you Hoyts!) much of the business records of the major theatre companies were destroyed many years ago.
Several years ago I completed a PhD that examined the experience of British films at the US box office in the 1960s with a focus on how the films performed at individual venues in a couple of key US cities. In a nutshell, rather than measuring their ‘success’ in terms of profit / loss for their producers and distributors, my thesis dealt with how they performed for the exhibitors – ie: within the data set of theatres, did British films enjoy higher grosses then their US and foreign counterparts? As each venue had a different audience demographic, seating capacity and profitability requirements there was little use in comparing one to another, therefore the thesis utilised what I called ‘horizontal evaluation’ in that the comparison was between the films that played in the same venue within a calendar year.
Since then the notion of success for the exhibitor has continued to intrigue me. For the PhD I was fortunate in that Variety, in the 1960s, carried a weekly rundown of box office grosses of hundreds of individual venues across the United States. Sadly, no such records exist for Australia so no such horizontal evaluation is possible. Instead, what is publicly available is the superb archive that is Trove by which the National Library of Australia has made available a number of newspapers, splendidly scanned and, for the most part, accurately searchable. This is a genuine goldmine for historians and something for which the NLA should be proud of as it is not just world class – it sets a standard of quality.
What Trove does provide is a thorough recording of the suburban playdates of films throughout much of Australia. With that at hand, was it possible to create something from this information, to find a value and meaning? I thought I would find out.
I picked the year 1950 on a whim – the information was readily available on Trove and it was of a time when the number of individual venues was at its highest. Within the dataset there are 45 venues advertised as ‘Independent’ (usually aligned with Union’s distributors including MGM, Paramount, Columbia and British Empire Films), 27 as ‘suburban’ (officially aligned with no major chain but a number did appear to either exist on either Union or Hoyts product) and 38 Hoyts houses (usually Warners, Fox, RKO, Disney, Universal and United Artists).
I recorded every screening that appeared on a Saturday and the following Tuesday of each week, beginning on Saturday, 7th January 1950 and ending Monday, 24th December 1951 (as Tuesday was Christmas day and cinemas were closed – as a note, this was done on a couple of occasions due to public holidays). Thereby 52 weeks of each film released into the suburbs in 1950 would be accounted for – a full year on suburban screens.
How many engagements were logged into the database? Over 20,000.
How many individual ‘slots’ (ie: mostly four per week on screens running a full week – double feature Saturday & double feature Tuesday)? 41,535.
Naturally this number included films within the bill that were released to the suburbs in 1949 and those released to the suburbs in 1951. These were discounted. So were older catalogue items that were often used to fill the second half of a bill. However, if a particular film had a genuine re-issue, it was counted within the dataset. In total, what was left was 18,368 ‘slots’ taken by 355 titles released to suburban theatres in 1950 (note – this does NOT include titles screened in the city on exclusive release in 1950, but hitting the suburbs in 1951. Conversely, it DOES include city releases from 1949 that came to the suburbs in 1950). The analysis within this site concerns these titles.
So, after a long period of transcribing, it was apparent that there were patterns of interest appearing. Firstly, it was clear just how prevalent the weekly ‘split’ was. That is, in suburban venues, how often a week’s engagements would (usually) be a highly popular double feature on a Saturday night (beginning Friday and lasting through to the Monday – no Sunday Screenings at the time) and a less enticing double running Tuesday – Thursday. Therefore, it seemed that an appropriate weighting was required to gauge the ‘value’ of each slot. The chart below explains the weighting.

To put it simply, a week is worth twelve points. Any film to scoop those twelve points will have to play, on its own (as a FO – Feature Only presentation) for the full ‘week’ (observed Saturday and Tuesday). If it was a week long double feature, the top-billed film would receive 9 points and the support 3. For a Saturday double feature the split is 6/2 and for Tuesdays it is 3/1.
I have based this on the notion that of a double feature, 75% of audiences would be interested in seeing the main feature and only 25% the support. This may seem odd, considering that the studios of the the time were producing genuine A and B features – surely the audiences’ interest would be in the A feature, certainly to a degree more than 75%? Perhaps a 90/10 split would be accurate? That is true, however this does not account for the number of mid-tier engagements that included two titles (say a western and a comedy) that were regularly played together and could be ‘flipped’ depending upon audience preference at that particular venue. These engagements were probably closer to 50/50. This was not a judgement call I was willing to make. So for a degree of fairness, the first – bill : second – bill split is 75:25 in order to account for these issues.
The other crucial difference is the weighting given to Saturday engagements compared to those on a Tuesday. The earlier day (Saturday) has traditionally been seen as the most popular of the week for distributors, the Tuesday the weakest. Therefore, for this metric a Saturday (total 8 points) is worth twice as much as a Tuesday (total 4 points). One may argue with this determination, but it is what I have used.
Below is the final determination of that data – it represents what I call the “Exhibitor Faith Index”. That is, the positioning individual exhibitors gave to each to each film. Is it a replication of box office takings? No, not exactly, instead it is an a illustration of the potential the collective exhibitors provided to each film to engage an audience. Therefore, the Clifton Hill cinema screening an engagement for a full week (in its sixth week of suburban release) is valued just as highly as the St. Kilda Victory screening that same engagement for a full week (on its opening). Of course, the Victory is going to nab more tickets that the Eltham, but I doubt whether the manager of the Eltham cinema cared about that. For he / she was worried only about their own venue’s viability and therefore, the tickets sold there. This metric is based on scope provided for a film to succeed, not its final box-office takings. And yes I am aware that certain contractual obligations needed to be fulfilled but until that evidence is clear, this is what we have.
So, after that long winded exposition, here are the ‘Exhibitor Faith’ rankings of 1950:
Due to space restrictions I have Included the title, Chain it was mostly exhibited through, Country of origin, distributor, Exhibitor Faith points, number of engagements, whether it was feature only, Saturday observation, Tuesday observation, first billing or second billing.
A deeper dive of this will come and for the performance of individual titles, look here.
So, here are the 355 releases of 1951 sorted by Exhibitor Faith rankings:
R |
TITLE |
CHAIN |
GEN |
COA |
DIS |
EF |
ENG |
FO |
W |
S |
T |
1st |
2nd |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |
Jolson Sings Again |
Hoyts |
Mus |
USA |
COL |
504 |
68 |
0 |
44 |
12 |
12 |
68 |
0 |
2 |
Little Women |
Indep |
Dram |
USA |
MGM |
474 |
50 |
31 |
38 |
7 |
5 |
18 |
1 |
3 |
The Forsyte Saga |
Indep |
Dram |
USA |
MGM |
467 |
52 |
22 |
38 |
8 |
6 |
30 |
0 |
4 |
The Third Man |
Hoyts |
Crime |
GB |
LON |
455 |
61 |
0 |
38 |
16 |
7 |
60 |
1 |
5 |
Battleground |
Indep |
War |
USA |
MGM |
443 |
47 |
22 |
37 |
6 |
4 |
25 |
0 |
6 |
Cheaper by the Dozen |
Hoyts |
Com |
USA |
Fox |
435 |
67 |
0 |
24 |
30 |
13 |
67 |
0 |
7 |
Father of the Bride |
Indep |
Com |
USA |
MGM |
426 |
50 |
9 |
38 |
7 |
5 |
41 |
0 |
8 |
The Heiress |
Indep |
Dram |
USA |
PAR |
414 |
43 |
13 |
40 |
2 |
1 |
30 |
0 |
9 |
That Midnight Kiss |
Indep |
Mus |
USA |
MGM |
404 |
49 |
3 |
39 |
6 |
4 |
45 |
1 |
10 |
Neptune's Daughter |
Indep |
Mus |
USA |
MGM |
402 |
50 |
2 |
39 |
6 |
5 |
47 |
1 |
10 |
Nancy Goes to Rio |
Indep |
Mus |
USA |
MGM |
402 |
51 |
2 |
36 |
9 |
6 |
49 |
0 |
12 |
Take Me Out to the |
Indep |
Mus |
USA |
MGM |
393 |
50 |
0 |
36 |
9 |
5 |
50 |
0 |
12 |
The Stratton Story |
Indep |
Dram |
USA |
MGM |
393 |
51 |
0 |
34 |
12 |
5 |
51 |
0 |
14 |
Broken Arrow |
Hoyts |
West |
USA |
Fox |
392 |
58 |
0 |
21 |
30 |
7 |
58 |
0 |
14 |
On The Town |
Indep |
Mus |
USA |
MGM |
392 |
49 |
0 |
38 |
7 |
4 |
48 |
1 |
16 |
I Was a Male War Bride |
Hoyts |
Com |
USA |
Fox |
390 |
57 |
0 |
20 |
33 |
4 |
57 |
0 |
17 |
The Hasty Heart |
Hoyts |
War |
GB |
WB |
384 |
59 |
1 |
16 |
36 |
7 |
58 |
0 |
18 |
Riding High |
Indep |
Com |
USA |
PAR |
381 |
44 |
5 |
38 |
4 |
2 |
38 |
1 |
18 |
Key to the City |
Indep |
Com |
USA |
MGM |
381 |
49 |
0 |
34 |
10 |
5 |
49 |
0 |
20 |
The Great Lover |
Indep |
Com |
USA |
PAR |
378 |
45 |
0 |
40 |
1 |
4 |
45 |
0 |
21 |
East Side, West Side |
Indep |
Dram |
USA |
MGM |
377 |
50 |
0 |
35 |
9 |
6 |
48 |
2 |
22 |
Ambush |
Indep |
West |
USA |
MGM |
375 |
49 |
0 |
35 |
8 |
6 |
48 |
1 |
22 |
The Red Danube |
Indep |
Dram |
USA |
MGM |
375 |
48 |
3 |
33 |
10 |
5 |
44 |
1 |
24 |
Malaya |
Indep |
War |
USA |
MGM |
374 |
49 |
0 |
34 |
9 |
6 |
48 |
1 |
25 |
The Asphalt Jungle |
Indep |
Crime |
USA |
MGM |
371 |
48 |
3 |
31 |
11 |
6 |
45 |
0 |
26 |
Sunset Boulevard |
Indep |
Crime |
USA |
PAR |
369 |
44 |
4 |
34 |
7 |
3 |
40 |
0 |
27 |
Conspirator |
Indep |
Dram |
GB |
MGM |
365 |
46 |
0 |
36 |
7 |
3 |
43 |
3 |
28 |
The Treasure of |
Hoyts |
Adv |
USA |
WB |
364 |
60 |
4 |
7 |
44 |
9 |
56 |
0 |
29 |
Look for the Silver Lining |
Hoyts |
Mus |
USA |
WB |
362 |
58 |
1 |
13 |
36 |
9 |
57 |
0 |
30 |
Crisis |
Indep |
Dram |
USA |
MGM |
361 |
49 |
0 |
31 |
10 |
8 |
48 |
1 |
31 |
My Friend Irma |
Indep |
Com |
USA |
PAR |
360 |
42 |
0 |
39 |
0 |
3 |
42 |
0 |
32 |
After Midnight |
Indep |
Crime |
USA |
PAR |
357 |
45 |
0 |
29 |
16 |
0 |
45 |
0 |
33 |
Key Largo |
Hoyts |
Crime |
USA |
WB |
354 |
59 |
0 |
5 |
49 |
5 |
59 |
0 |
34 |
Adam's Rib |
Indep |
Com |
USA |
MGM |
353 |
47 |
1 |
29 |
12 |
6 |
46 |
0 |
35 |
Any Number Can Play |
Indep |
Dram |
USA |
MGM |
352 |
47 |
0 |
30 |
13 |
4 |
45 |
2 |
36 |
Knock on Any Door |
Indep |
Crime |
USA |
COL |
351 |
42 |
0 |
33 |
9 |
0 |
42 |
0 |
36 |
The Return of October |
Indep |
Com |
USA |
COL |
351 |
42 |
0 |
33 |
9 |
0 |
42 |
0 |
38 |
All the King's Men |
Hoyts |
Dram |
USA |
COL |
350 |
58 |
1 |
7 |
44 |
7 |
57 |
0 |
38 |
In the Good Old Summertime |
Indep |
Mus |
USA |
MGM |
350 |
48 |
0 |
29 |
14 |
5 |
46 |
2 |
40 |
Ma and Pa Kettle |
Hoyts |
Com |
USA |
UNI |
348 |
59 |
0 |
9 |
41 |
9 |
58 |
0 |
40 |
Gone With the Wind (RR) |
Indep |
Dram |
USA |
MGM |
348 |
29 |
29 |
29 |
0 |
0 |
0 |
0 |
42 |
Devil's Doorway |
Indep |
West |
USA |
MGM |
347 |
50 |
0 |
32 |
11 |
7 |
45 |
5 |
43 |
Sons of Matthew |
Hoyts |
Dram |
AU |
SOMP |
345 |
54 |
0 |
13 |
35 |
6 |
54 |
0 |
43 |
Pinky |
Hoyts |
Dram |
USA |
Fox |
345 |
55 |
0 |
9 |
42 |
4 |
55 |
0 |
45 |
Captain China |
Indep |
Adv |
USA |
PAR |
338 |
45 |
0 |
27 |
15 |
3 |
44 |
1 |
46 |
Maytime in Mayfair |
Hoyts |
Mus |
GB |
LON |
336 |
57 |
0 |
11 |
33 |
13 |
57 |
0 |
47 |
Yellow Sky |
Hoyts |
West |
USA |
Fox |
331 |
56 |
1 |
8 |
40 |
8 |
53 |
2 |
48 |
Three Came Home |
Hoyts |
War |
USA |
Fox |
330 |
56 |
0 |
6 |
42 |
8 |
56 |
0 |
49 |
Ma and Pa Kettle Go to Town |
Hoyts |
Com |
USA |
UNI |
328 |
55 |
0 |
9 |
37 |
9 |
54 |
1 |
50 |
Lost Boundaries |
Hoyts |
Dram |
USA |
UNI |
327 |
57 |
0 |
9 |
34 |
14 |
57 |
0 |
51 |
Twelve O'Clock High |
Hoyts |
War |
USA |
Fox |
323 |
56 |
4 |
7 |
36 |
13 |
52 |
0 |
52 |
It's Magic |
Hoyts |
Mus |
USA |
WB |
321 |
56 |
0 |
10 |
31 |
15 |
56 |
0 |
52 |
Chicago Deadline |
Indep |
Crime |
USA |
PAR |
321 |
45 |
0 |
29 |
6 |
10 |
44 |
1 |
54 |
Dear Wife |
Indep |
Com |
USA |
PAR |
319 |
41 |
0 |
34 |
4 |
3 |
37 |
4 |
55 |
Under Capricorn |
Hoyts |
Dram |
USA |
WB |
315 |
51 |
1 |
12 |
29 |
10 |
50 |
0 |
55 |
The Eagle and the Hawk |
Indep |
West |
USA |
PAR |
315 |
40 |
0 |
27 |
11 |
2 |
40 |
0 |
57 |
Whiplash |
Hoyts |
Dram |
USA |
WB |
314 |
58 |
0 |
4 |
40 |
14 |
57 |
1 |
58 |
Champion |
Hoyts |
Dram |
USA |
UA |
312 |
52 |
0 |
5 |
42 |
5 |
52 |
0 |
59 |
Lust for Gold |
Indep |
Adv |
USA |
COL |
308 |
42 |
0 |
23 |
18 |
1 |
40 |
2 |
60 |
Come to the Stable |
Hoyts |
Com |
USA |
Fox |
306 |
55 |
0 |
5 |
37 |
13 |
55 |
0 |
61 |
South of St. Louis |
Hoyts |
West |
USA |
WB |
298 |
55 |
0 |
5 |
35 |
15 |
54 |
1 |
62 |
A Song is Born |
Hoyts |
Mus |
USA |
RKO |
297 |
51 |
0 |
5 |
38 |
8 |
51 |
0 |
62 |
Francis |
Hoyts |
Com |
USA |
UNI |
297 |
56 |
0 |
4 |
35 |
17 |
56 |
0 |
64 |
Outpost in Morocco |
Hoyts |
Adv |
USA |
UA |
294 |
50 |
0 |
4 |
40 |
6 |
50 |
0 |
65 |
Oh! You Beautiful Doll |
Hoyts |
Mus |
USA |
Fox |
291 |
54 |
0 |
5 |
33 |
16 |
54 |
0 |
65 |
The Girl From Jones Beach |
Hoyts |
Com |
USA |
WB |
291 |
54 |
0 |
3 |
37 |
14 |
54 |
0 |
65 |
Duck Soup (RR) |
Indep |
Com |
USA |
PAR |
291 |
47 |
0 |
38 |
4 |
5 |
32 |
15 |
68 |
Joan of Arc |
Hoyts |
Dram |
USA |
RKO |
285 |
48 |
31 |
3 |
23 |
22 |
17 |
0 |
69 |
My Friend Irma Goes West |
Indep |
Com |
USA |
PAR |
282 |
39 |
0 |
22 |
17 |
0 |
35 |
4 |
70 |
Adventures of Don Juan |
Hoyts |
Adv |
USA |
WB |
279 |
51 |
0 |
6 |
30 |
15 |
51 |
0 |
70 |
Prince of Foxes |
Hoyts |
Adv |
USA |
Fox |
279 |
47 |
0 |
6 |
34 |
7 |
47 |
0 |
70 |
The Lie |
Indep |
Crime |
USA |
PAR |
279 |
39 |
0 |
24 |
12 |
3 |
35 |
4 |
73 |
Home of the Brave |
Hoyts |
War |
USA |
UA |
273 |
51 |
0 |
3 |
34 |
14 |
51 |
0 |
74 |
Kind Hearts and Coronets |
Indep |
Com |
USA |
BEF |
270 |
38 |
0 |
20 |
12 |
6 |
38 |
0 |
75 |
Madame Bovary |
Indep |
Dram |
USA |
MGM |
267 |
37 |
0 |
21 |
10 |
6 |
37 |
0 |
75 |
The Dark Past |
Indep |
Crime |
USA |
COL |
267 |
38 |
0 |
20 |
15 |
3 |
35 |
3 |
77 |
The Adventures of Robin |
Hoyts |
Adv |
USA |
WB |
264 |
54 |
0 |
4 |
28 |
22 |
54 |
0 |
77 |
Sand |
Hoyts |
Adv |
USA |
Fox |
264 |
56 |
0 |
4 |
26 |
26 |
55 |
1 |
79 |
Passport to Pimlico |
Hoyts |
Com |
USA |
BEF |
263 |
60 |
0 |
11 |
15 |
34 |
54 |
6 |
80 |
Two Texas Knights |
Hoyts |
Com |
USA |
WB |
260 |
55 |
0 |
10 |
23 |
22 |
49 |
6 |
80 |
Bride fro Sale |
Hoyts |
Com |
USA |
RKO |
260 |
53 |
0 |
1 |
33 |
19 |
52 |
1 |
82 |
June Bride |
Hoyts |
Com |
USA |
WB |
258 |
51 |
0 |
7 |
23 |
21 |
50 |
1 |
83 |
We Were Strangers |
Indep |
Dram |
USA |
COL |
254 |
36 |
0 |
16 |
18 |
2 |
35 |
1 |
84 |
Everybody Does It |
Hoyts |
Mus |
USA |
Fox |
253 |
53 |
0 |
8 |
28 |
17 |
46 |
7 |
84 |
It Happens Every Spring |
Hoyts |
Com |
USA |
Fox |
253 |
52 |
0 |
5 |
27 |
20 |
49 |
3 |
86 |
Enchantment |
Hoyts |
Dram |
USA |
RKO |
252 |
52 |
0 |
6 |
22 |
24 |
51 |
1 |
86 |
The Big Lift |
Hoyts |
Dram |
USA |
Fox |
252 |
55 |
0 |
3 |
23 |
29 |
55 |
0 |
88 |
Too Late for Tears |
Hoyts |
Crime |
USA |
UA |
251 |
50 |
1 |
2 |
30 |
18 |
48 |
1 |
89 |
Quartet |
Hoyts |
Dram |
USA |
GBDFD |
250 |
52 |
1 |
1 |
31 |
20 |
50 |
1 |
89 |
The Black Rose |
Hoyts |
Adv |
USA |
Fox |
250 |
50 |
1 |
4 |
25 |
21 |
49 |
0 |
91 |
Tokyo Joe |
Hoyts |
Dram |
USA |
COL |
248 |
55 |
0 |
4 |
23 |
28 |
53 |
2 |
92 |
The Big Steal |
Hoyts |
Crime |
USA |
RKO |
247 |
54 |
0 |
8 |
25 |
21 |
45 |
9 |
93 |
Under My Skin |
Hoyts |
Dram |
USA |
Fox |
245 |
54 |
0 |
7 |
21 |
26 |
50 |
4 |
93 |
State Secret |
Hoyts |
Crime |
GB |
LON |
245 |
51 |
0 |
2 |
28 |
21 |
50 |
1 |
95 |
Wake of the Red Witch |
Indep |
Adv |
USA |
BEF |
243 |
32 |
0 |
18 |
13 |
1 |
32 |
0 |
96 |
She Wore a Yellow Ribbon |
Hoyts |
West |
USA |
RKO |
240 |
52 |
0 |
2 |
26 |
24 |
51 |
1 |
97 |
Mr. Soft Touch |
Indep |
Dram |
USA |
COL |
239 |
34 |
0 |
17 |
15 |
2 |
31 |
3 |
98 |
Mother is a Freshman |
Hoyts |
Com |
USA |
Fox |
236 |
50 |
0 |
3 |
24 |
23 |
49 |
1 |
98 |
Anna Lucasta |
Indep |
Dram |
USA |
COL |
236 |
37 |
0 |
16 |
19 |
2 |
31 |
6 |
100 |
No Sad Songs for Me |
Hoyts |
Dram |
USA |
COL |
234 |
49 |
0 |
5 |
23 |
21 |
47 |
2 |
101 |
Slattery's Hurricane |
Hoyts |
Adv |
USA |
Fox |
233 |
51 |
0 |
2 |
24 |
25 |
50 |
1 |
102 |
Roseanna McCoy |
Hoyts |
Dram |
USA |
RKO |
232 |
51 |
0 |
4 |
21 |
26 |
48 |
3 |
103 |
A Night at the Opera (RR) |
Indep |
Com |
USA |
MGM |
230 |
45 |
0 |
26 |
9 |
10 |
29 |
16 |
104 |
So Dear to My Heart |
Hoyts |
Fam |
USA |
RKO |
228 |
43 |
0 |
5 |
25 |
13 |
42 |
1 |
104 |
The Doctor and the Girl |
Indep |
Dram |
USA |
MGM |
228 |
47 |
0 |
25 |
13 |
9 |
26 |
21 |
106 |
Adam and Evelyne |
Hoyts |
Com |
GB |
GBDFD |
225 |
50 |
0 |
9 |
21 |
20 |
42 |
8 |
107 |
Train of Events |
Indep |
Dram |
GB |
BEF |
219 |
34 |
0 |
14 |
11 |
9 |
34 |
0 |
108 |
Thelma Jordan |
Indep |
Crime |
USA |
PAR |
217 |
47 |
0 |
38 |
4 |
5 |
15 |
32 |
109 |
And Baby Makes Three |
Hoyts |
Com |
USA |
COL |
216 |
52 |
0 |
1 |
24 |
27 |
48 |
4 |
110 |
The Younger Brothers |
Hoyts |
West |
USA |
WB |
215 |
53 |
0 |
4 |
16 |
33 |
50 |
3 |
110 |
Paid in Full |
Indep |
Dram |
USA |
PAR |
215 |
37 |
0 |
15 |
16 |
6 |
29 |
8 |
112 |
Mr. Joseph Young of Africa |
Hoyts |
SciFi |
USA |
RKO |
213 |
49 |
0 |
3 |
20 |
26 |
47 |
2 |
112 |
The Great Sinner |
Indep |
Dram |
USA |
MGM |
213 |
31 |
1 |
11 |
17 |
3 |
30 |
0 |
112 |
Intruder in the Dust |
Indep |
Dram |
USA |
MGM |
213 |
46 |
0 |
25 |
13 |
8 |
21 |
25 |
115 |
The Gay Lady |
Hoyts |
Com |
GB |
GBDFD |
209 |
47 |
0 |
9 |
14 |
24 |
41 |
6 |
116 |
Song of India |
Indep |
Adv |
USA |
COL |
206 |
33 |
0 |
11 |
19 |
3 |
28 |
5 |
117 |
The Great Dan PAtch |
Hoyts |
Dram |
USA |
UA |
203 |
48 |
0 |
3 |
23 |
22 |
42 |
6 |
118 |
Dancing in the Dark |
Hoyts |
Com |
USA |
Fox |
201 |
49 |
0 |
1 |
16 |
32 |
49 |
0 |
119 |
You're My Everything |
Hoyts |
Mus |
USA |
Fox |
198 |
51 |
0 |
2 |
31 |
18 |
32 |
19 |
120 |
John Loves Mary |
Hoyts |
Com |
USA |
WB |
197 |
46 |
0 |
2 |
23 |
21 |
41 |
5 |
121 |
Tell it to the Judge |
Hoyts |
Com |
USA |
COL |
195 |
54 |
0 |
4 |
11 |
39 |
46 |
8 |
122 |
The Big Store (RR) |
Indep |
Com |
USA |
MGM |
194 |
38 |
0 |
23 |
8 |
7 |
21 |
17 |
123 |
Johnny Allegro |
Indep |
Crime |
USA |
COL |
193 |
35 |
0 |
10 |
18 |
7 |
28 |
7 |
124 |
Bagdad |
Hoyts |
Adv |
USA |
UNI |
192 |
47 |
0 |
4 |
25 |
18 |
35 |
12 |
125 |
Africa Screams |
Hoyts |
Com |
USA |
UA |
190 |
49 |
0 |
6 |
19 |
24 |
36 |
13 |
125 |
The Good Humor Man |
Hoyts |
Com |
USA |
COL |
190 |
54 |
0 |
4 |
20 |
30 |
40 |
14 |
127 |
Wabash Avenue |
Hoyts |
Mus |
USA |
Fox |
182 |
48 |
0 |
0 |
16 |
32 |
45 |
3 |
128 |
Thieves' Highway |
Hoyts |
Crime |
USA |
Fox |
181 |
49 |
0 |
4 |
18 |
27 |
39 |
10 |
128 |
Miss Grant Takes Richmond |
Hoyts |
Com |
USA |
COL |
181 |
59 |
0 |
11 |
12 |
36 |
30 |
29 |
130 |
Tarzan's Magic Fountain |
Hoyts |
Adv |
USA |
RKO |
180 |
54 |
0 |
2 |
26 |
26 |
32 |
22 |
131 |
The Crooked Way |
Hoyts |
Crime |
USA |
UA |
179 |
49 |
0 |
3 |
22 |
24 |
34 |
15 |
131 |
Caught |
Indep |
Crime |
USA |
MGM |
179 |
40 |
0 |
24 |
9 |
7 |
15 |
25 |
133 |
The WOman in WHite |
Hoyts |
Crime |
USA |
WB |
174 |
48 |
0 |
1 |
10 |
37 |
46 |
2 |
133 |
Whirlpool |
Hoyts |
Crime |
USA |
Fox |
174 |
45 |
0 |
2 |
9 |
34 |
45 |
0 |
133 |
Once More My Darling |
Hoyts |
Com |
USA |
UNI |
174 |
46 |
0 |
5 |
16 |
25 |
35 |
11 |
136 |
Tulsa |
Indep |
West |
USA |
BEF |
171 |
26 |
0 |
9 |
13 |
4 |
26 |
0 |
137 |
The Passionate Friends |
Hoyts |
Dram |
GB |
GBDFD |
170 |
45 |
0 |
1 |
11 |
33 |
44 |
1 |
138 |
Holiday Affair |
Hoyts |
Com |
USA |
RKO |
169 |
54 |
0 |
5 |
25 |
24 |
31 |
23 |
139 |
Red Light |
Hoyts |
Crime |
USA |
UA |
166 |
45 |
0 |
1 |
21 |
23 |
35 |
10 |
140 |
Portrait of Jannie |
Hoyts |
SciFi |
USA |
BEF |
165 |
42 |
0 |
1 |
13 |
28 |
41 |
1 |
140 |
Cover Up |
Hoyts |
Crime |
USA |
UA |
165 |
48 |
0 |
6 |
13 |
29 |
36 |
12 |
142 |
House of Strangers |
Hoyts |
Crime |
USA |
Fox |
162 |
46 |
0 |
1 |
6 |
39 |
46 |
0 |
142 |
Father was a Fullback |
Hoyts |
Com |
USA |
Fox |
162 |
48 |
0 |
3 |
14 |
31 |
38 |
10 |
142 |
Tarzan and the Slave Girl |
Hoyts |
Adv |
USA |
RKO |
162 |
50 |
1 |
6 |
24 |
20 |
27 |
22 |
145 |
Fighting Man of the Plains |
Hoyts |
West |
USA |
Fox |
161 |
51 |
0 |
5 |
12 |
34 |
35 |
16 |
145 |
Obsession |
Hoyts |
Crime |
GB |
GBDFD |
161 |
46 |
0 |
1 |
21 |
24 |
25 |
21 |
145 |
Sanders of the River (RR) |
Hoyts |
Adv |
GB |
LON |
161 |
40 |
0 |
1 |
15 |
24 |
36 |
4 |
148 |
The Big Wheel |
Hoyts |
Crime |
USA |
UA |
157 |
53 |
0 |
4 |
30 |
19 |
22 |
31 |
149 |
Stromboli |
Hoyts |
Dram |
IT |
RKO |
156 |
41 |
0 |
1 |
11 |
29 |
40 |
1 |
150 |
That Dangerous Age |
Hoyts |
Dram |
GB |
LON |
155 |
49 |
0 |
6 |
4 |
39 |
40 |
9 |
151 |
Dakota Lil |
Hoyts |
West |
USA |
Fox |
151 |
45 |
0 |
1 |
10 |
34 |
37 |
8 |
151 |
Interference |
Hoyts |
Dram |
USA |
RKO |
151 |
44 |
0 |
3 |
13 |
28 |
34 |
10 |
153 |
The Beautiful Blonde |
Hoyts |
Com |
USA |
Fox |
150 |
46 |
0 |
4 |
12 |
30 |
36 |
10 |
154 |
The Big Hangover |
Indep |
Com |
USA |
MGM |
147 |
51 |
0 |
35 |
8 |
8 |
5 |
46 |
155 |
The Wizard of Oz (RR) |
Indep |
Fam |
USA |
MGM |
144 |
30 |
3 |
5 |
7 |
18 |
27 |
0 |
155 |
Border Incident |
Indep |
Crime |
USA |
MGM |
144 |
51 |
0 |
38 |
7 |
6 |
3 |
48 |
157 |
Tension |
Indep |
Crime |
USA |
MGM |
141 |
51 |
0 |
36 |
8 |
7 |
3 |
48 |
158 |
The Yellow Cab Man |
Indep |
Com |
USA |
MGM |
140 |
47 |
0 |
31 |
9 |
7 |
5 |
42 |
159 |
Canadian Pacific |
Hoyts |
West |
USA |
Fox |
139 |
45 |
0 |
3 |
14 |
28 |
26 |
19 |
160 |
Meet the Killer |
Hoyts |
Com |
USA |
UNI |
137 |
45 |
1 |
6 |
14 |
25 |
23 |
21 |
161 |
Bride of Vengeance |
Indep |
Dram |
USA |
PAR |
134 |
40 |
0 |
32 |
6 |
2 |
4 |
36 |
161 |
The Awful Truth (RR) |
Indep |
Com |
USA |
COL |
134 |
26 |
0 |
12 |
8 |
6 |
18 |
8 |
161 |
The General Died at |
Indep |
Adv |
USA |
PAR |
134 |
27 |
1 |
10 |
6 |
11 |
18 |
8 |
164 |
Impact |
Hoyts |
Crime |
USA |
UA |
130 |
35 |
0 |
1 |
7 |
27 |
34 |
1 |
165 |
Unknown Island |
Hoyts |
SciFi |
USA |
Fox |
129 |
38 |
0 |
2 |
9 |
27 |
31 |
7 |
166 |
The Secret Garden |
Indep |
Fam |
USA |
MGM |
128 |
45 |
0 |
30 |
13 |
2 |
2 |
43 |
167 |
Elizabeth of Ladymead |
Hoyts |
Dram |
GB |
LON |
126 |
43 |
0 |
1 |
7 |
35 |
30 |
13 |
167 |
Shadow on the Wall |
Indep |
Crime |
USA |
MGM |
126 |
50 |
0 |
34 |
8 |
8 |
0 |
50 |
167 |
Side Street |
Indep |
Crime |
USA |
MGM |
126 |
49 |
0 |
34 |
9 |
6 |
0 |
49 |
170 |
Take One False Step |
Hoyts |
Crime |
USA |
UNI |
125 |
55 |
0 |
7 |
18 |
30 |
14 |
41 |
171 |
Please Believe Me |
Indep |
Com |
USA |
MGM |
124 |
50 |
0 |
31 |
10 |
9 |
1 |
49 |
172 |
Challenge to Lassie |
Indep |
Fam |
USA |
MGM |
123 |
46 |
0 |
29 |
11 |
6 |
2 |
44 |
173 |
April Showers |
Hoyts |
Mus |
USA |
WB |
120 |
53 |
0 |
2 |
37 |
14 |
7 |
46 |
173 |
One Sunday Afternoon |
Hoyts |
Mus |
USA |
WB |
120 |
53 |
2 |
2 |
39 |
12 |
5 |
46 |
173 |
Yes Sir! That's My Baby |
Hoyts |
Mus |
USA |
UNI |
120 |
40 |
0 |
1 |
10 |
29 |
24 |
16 |
173 |
The Scene of the Crime |
Indep |
Crime |
USA |
MGM |
120 |
46 |
0 |
33 |
8 |
5 |
0 |
46 |
177 |
Mr. Peabody and the |
Hoyts |
SciFi |
USA |
UNI |
118 |
48 |
0 |
21 |
8 |
19 |
10 |
38 |
177 |
The Drum (RR) |
Hoyts |
Adv |
GB |
LON |
118 |
28 |
0 |
1 |
12 |
15 |
25 |
3 |
179 |
Portrait From Life |
Hoyts |
Dram |
GB |
GBDFD |
117 |
41 |
0 |
6 |
12 |
23 |
19 |
22 |
179 |
The Dividing Line |
Indep |
Crime |
USA |
PAR |
117 |
41 |
0 |
20 |
18 |
3 |
4 |
37 |
181 |
Homicide |
Hoyts |
Crime |
USA |
WB |
116 |
58 |
0 |
18 |
16 |
24 |
1 |
57 |
182 |
City Across the River |
Hoyts |
Crime |
USA |
UNI |
114 |
51 |
0 |
3 |
25 |
23 |
9 |
42 |
182 |
Chicken Every Sunday |
Hoyts |
Com |
USA |
Fox |
114 |
46 |
0 |
2 |
20 |
24 |
14 |
32 |
184 |
Crime Doctor's Diary |
Indep |
Crime |
USA |
COL |
112 |
40 |
0 |
29 |
8 |
3 |
1 |
39 |
185 |
Make Mine Laughs |
Hoyts |
Com |
USA |
RKO |
111 |
54 |
0 |
4 |
33 |
17 |
4 |
50 |
185 |
Once Upon a Dream |
Hoyts |
Com |
GB |
GBDFD |
111 |
47 |
0 |
23 |
8 |
16 |
3 |
44 |
187 |
The Story of Molly X |
Hoyts |
Crime |
USA |
UNI |
110 |
57 |
0 |
7 |
39 |
11 |
0 |
57 |
188 |
Embraceable You |
Hoyts |
Dram |
USA |
WB |
109 |
55 |
0 |
5 |
44 |
6 |
0 |
55 |
188 |
Boston Blackie's Chinese |
Indep |
Crime |
USA |
COL |
109 |
36 |
0 |
30 |
3 |
3 |
3 |
33 |
190 |
Argyle Secrets |
Hoyts |
Dram |
USA |
Fox |
107 |
47 |
0 |
26 |
8 |
13 |
0 |
47 |
190 |
The Tattooed Stranger |
Hoyts |
Crime |
USA |
RKO |
107 |
50 |
0 |
14 |
29 |
7 |
0 |
50 |
192 |
One Last Fling |
Hoyts |
Com |
USA |
WB |
106 |
51 |
0 |
6 |
39 |
6 |
1 |
50 |
192 |
Landfall |
Indep |
War |
GB |
BEF |
106 |
26 |
2 |
12 |
8 |
6 |
8 |
16 |
192 |
Leather Gloves |
Indep |
Dram |
USA |
COL |
106 |
38 |
0 |
30 |
8 |
0 |
0 |
38 |
195 |
The Story of G.I. Joe |
Hoyts |
War |
USA |
UA |
105 |
37 |
0 |
1 |
12 |
24 |
20 |
17 |
195 |
When Willie Comes Marching Home |
Hoyts |
Com |
USA |
Fox |
105 |
49 |
0 |
2 |
20 |
27 |
9 |
40 |
197 |
Illegal Entry |
Hoyts |
Crime |
USA |
UNI |
104 |
54 |
0 |
3 |
32 |
19 |
4 |
50 |
197 |
Law of the Barbary Coast |
Indep |
Crime |
USA |
COL |
104 |
41 |
0 |
23 |
17 |
1 |
0 |
41 |
199 |
Red, Hot and Blue |
Indep |
Com |
USA |
PAR |
103 |
40 |
0 |
25 |
7 |
8 |
1 |
39 |
200 |
The Lady Gambles |
Hoyts |
Dram |
USA |
UNI |
102 |
45 |
0 |
1 |
35 |
9 |
6 |
39 |
200 |
A Kiss in the Dark |
Hoyts |
Com |
USA |
WB |
102 |
48 |
0 |
4 |
16 |
28 |
10 |
38 |
202 |
Silent Dust |
Hoyts |
Dram |
GB |
BEF |
101 |
43 |
0 |
2 |
10 |
31 |
20 |
23 |
202 |
The Threat |
Hoyts |
Crime |
USA |
RKO |
101 |
52 |
0 |
7 |
35 |
10 |
0 |
52 |
204 |
Britannia Mews |
Hoyts |
Dram |
GB |
Fox |
100 |
47 |
0 |
1 |
21 |
25 |
11 |
36 |
204 |
Black Magic |
Hoyts |
Dram |
USA |
UA |
100 |
39 |
0 |
2 |
35 |
2 |
5 |
34 |
206 |
Escape Me Never |
Hoyts |
Dram |
USA |
WB |
99 |
43 |
0 |
2 |
28 |
13 |
8 |
35 |
206 |
Johnny Stool Pigeon |
Hoyts |
Crime |
USA |
UNI |
99 |
54 |
0 |
3 |
27 |
24 |
4 |
50 |
206 |
Air Hostess |
Indep |
Dram |
USA |
COL |
99 |
38 |
0 |
27 |
7 |
4 |
0 |
38 |
209 |
The Small Back Room |
Hoyts |
Dram |
GB |
LON |
97 |
48 |
0 |
2 |
27 |
19 |
5 |
43 |
209 |
Inner Sanctum Mystery |
Hoyts |
Crime |
USA |
Fox |
97 |
52 |
0 |
4 |
37 |
11 |
0 |
52 |
211 |
Sofia |
Hoyts |
Dram |
USA |
Fox |
96 |
47 |
0 |
3 |
17 |
27 |
13 |
34 |
212 |
Smart Girls Don't Talk |
Hoyts |
Crime |
USA |
WB |
95 |
53 |
0 |
4 |
28 |
21 |
1 |
52 |
212 |
Alias the Champ |
Hoyts |
Com |
USA |
BEF |
95 |
50 |
0 |
7 |
31 |
12 |
0 |
50 |
214 |
State Department File 649 |
Hoyts |
Dram |
USA |
Fox |
94 |
51 |
0 |
2 |
25 |
24 |
4 |
47 |
215 |
Savage Splendor |
Hoyts |
Doco |
USA |
RKO |
93 |
51 |
0 |
5 |
28 |
18 |
1 |
50 |
215 |
The Doolins of Oklahoma |
Indep |
West |
USA |
COL |
93 |
32 |
0 |
20 |
9 |
3 |
3 |
28 |
217 |
Mrs Mike |
Hoyts |
Dram |
USA |
UA |
92 |
47 |
0 |
1 |
35 |
11 |
2 |
45 |
217 |
I Was a Shoplifter |
Hoyts |
Crime |
USA |
UNI |
92 |
51 |
0 |
15 |
11 |
25 |
0 |
51 |
217 |
Prison Warden |
Hoyts |
Crime |
USA |
COL |
92 |
49 |
0 |
9 |
25 |
15 |
0 |
49 |
220 |
The Blind Goddess |
Hoyts |
Dram |
GB |
GBDFD |
91 |
47 |
0 |
5 |
24 |
18 |
3 |
44 |
220 |
Flaxy Martin |
Hoyts |
Crime |
USA |
WB |
91 |
45 |
0 |
7 |
26 |
12 |
3 |
42 |
220 |
Appointment With Murder |
Hoyts |
Crime |
USA |
Fox |
91 |
46 |
0 |
1 |
29 |
16 |
4 |
42 |
223 |
Davy Crockett Indian Scout |
Hoyts |
West |
USA |
UA |
90 |
42 |
0 |
1 |
24 |
17 |
5 |
37 |
223 |
The WOman on Pier 13 |
Hoyts |
Crime |
USA |
RKO |
90 |
47 |
0 |
2 |
21 |
24 |
4 |
43 |
225 |
The Green Promise |
Hoyts |
Dram |
USA |
RKO |
89 |
48 |
0 |
1 |
35 |
12 |
1 |
47 |
225 |
Love That Brute |
Hoyts |
Com |
USA |
Fox |
89 |
50 |
0 |
6 |
27 |
17 |
0 |
50 |
227 |
Will Tomorrow Ever Come |
Indep |
Dram |
USA |
BEF |
88 |
17 |
0 |
4 |
5 |
8 |
16 |
1 |
227 |
The Mutineers |
Indep |
Crime |
USA |
COL |
88 |
34 |
0 |
18 |
12 |
4 |
1 |
33 |
229 |
The Small Voice |
Hoyts |
Crime |
GB |
LON |
87 |
48 |
0 |
2 |
31 |
15 |
1 |
47 |
230 |
Follow Me Quietly |
Hoyts |
Crime |
USA |
RKO |
86 |
52 |
0 |
3 |
28 |
21 |
0 |
52 |
230 |
Money Madness |
Hoyts |
Crime |
USA |
Fox |
86 |
47 |
0 |
1 |
31 |
15 |
1 |
46 |
232 |
Mark of the Gorilla |
Hoyts |
Adv |
USA |
COL |
85 |
44 |
0 |
3 |
17 |
24 |
5 |
39 |
232 |
Noose |
Indep |
Crime |
GB |
BEF |
85 |
24 |
0 |
10 |
7 |
7 |
10 |
14 |
234 |
Tucson |
Hoyts |
Dram |
USA |
Fox |
84 |
44 |
0 |
5 |
30 |
9 |
0 |
44 |
234 |
My Brother's Keeper |
Hoyts |
Dram |
GB |
GBDFD |
84 |
47 |
0 |
2 |
27 |
18 |
1 |
46 |
234 |
It's Not Cricket |
Hoyts |
Com |
GB |
GBDFD |
84 |
38 |
0 |
17 |
12 |
9 |
0 |
38 |
234 |
Miraculous Journey |
Hoyts |
Adv |
USA |
Fox |
84 |
46 |
0 |
1 |
22 |
23 |
4 |
42 |
238 |
Broken Journey |
Hoyts |
Dram |
GB |
GBDFD |
83 |
48 |
0 |
1 |
29 |
18 |
1 |
47 |
238 |
The Plunderers |
Indep |
West |
USA |
BEF |
83 |
23 |
0 |
6 |
8 |
9 |
13 |
10 |
238 |
The Lovers |
Indep |
Crime |
USA |
COL |
83 |
31 |
0 |
12 |
10 |
9 |
6 |
25 |
238 |
Out of the Storm |
Indep |
Crime |
USA |
BEF |
83 |
35 |
0 |
20 |
8 |
7 |
0 |
35 |
242 |
Holiday in Havana |
Hoyts |
Mus |
USA |
COL |
82 |
44 |
0 |
1 |
36 |
7 |
0 |
44 |
242 |
A Dangerous Profession |
Hoyts |
Crime |
USA |
RKO |
82 |
54 |
0 |
4 |
20 |
30 |
0 |
54 |
242 |
Inside Story |
Indep |
Com |
USA |
BEF |
82 |
32 |
0 |
19 |
6 |
7 |
1 |
31 |
245 |
Calamity Jane and Sam Bass |
Hoyts |
West |
USA |
UNI |
81 |
45 |
0 |
0 |
8 |
37 |
11 |
34 |
245 |
Fly Away Peter |
Hoyts |
Dram |
GB |
GBDFD |
81 |
48 |
0 |
0 |
33 |
15 |
0 |
48 |
245 |
Vote for Huggett |
Hoyts |
Com |
GB |
GBDFD |
81 |
46 |
0 |
4 |
27 |
15 |
0 |
46 |
245 |
Henry the Rainmaker |
Indep |
Com |
USA |
BEF |
81 |
34 |
0 |
19 |
9 |
6 |
0 |
34 |
249 |
Murder at the Windmill |
Indep |
Crime |
GB |
BEF |
80 |
34 |
0 |
17 |
12 |
5 |
0 |
34 |
250 |
Post Office Investigator |
Hoyts |
Crime |
USA |
BEF |
79 |
48 |
0 |
4 |
23 |
21 |
0 |
48 |
250 |
Incident |
Indep |
Crime |
USA |
BEF |
79 |
32 |
0 |
18 |
11 |
3 |
0 |
32 |
252 |
The Capture |
Hoyts |
Crime |
USA |
RKO |
78 |
48 |
0 |
2 |
14 |
32 |
3 |
45 |
252 |
Blondie Hits the Jackpot |
Hoyts |
Com |
USA |
COL |
78 |
41 |
0 |
2 |
33 |
6 |
0 |
41 |
254 |
Strange Bargain |
Hoyts |
Crime |
USA |
RKO |
77 |
51 |
0 |
2 |
22 |
27 |
0 |
51 |
254 |
Arctic Manhunt |
Hoyts |
Adv |
USA |
UNI |
77 |
49 |
0 |
5 |
18 |
26 |
0 |
49 |
254 |
A Stranger in Town (RR) |
Indep |
Dram |
USA |
MGM |
77 |
31 |
0 |
19 |
8 |
4 |
0 |
31 |
257 |
Rusty's Birthday |
Hoyts |
Fam |
USA |
COL |
76 |
43 |
0 |
5 |
23 |
15 |
0 |
43 |
257 |
The Decision of |
Hoyts |
Dram |
USA |
WB |
76 |
42 |
0 |
3 |
28 |
11 |
0 |
42 |
257 |
Flaming Fury |
Hoyts |
Crime |
USA |
BEF |
76 |
48 |
0 |
2 |
24 |
22 |
0 |
48 |
257 |
FOr Them That Trespass |
Indep |
Crime |
GB |
BEF |
76 |
24 |
0 |
15 |
6 |
3 |
4 |
20 |
261 |
The Huggetts Abroad |
Hoyts |
Com |
GB |
GBDFD |
75 |
34 |
0 |
14 |
13 |
7 |
0 |
34 |
261 |
Miss Mink of 1949 |
Hoyts |
Com |
USA |
Fox |
75 |
50 |
0 |
2 |
21 |
27 |
0 |
50 |
263 |
Into the Straight |
Hoyts |
Dram |
AU |
MCCR |
74 |
45 |
0 |
1 |
27 |
17 |
0 |
45 |
264 |
Girls' School |
Hoyts |
Dram |
USA |
COL |
73 |
39 |
0 |
3 |
28 |
8 |
0 |
39 |
264 |
Abandoned |
Hoyts |
Crime |
USA |
UNI |
73 |
48 |
0 |
1 |
21 |
26 |
1 |
47 |
264 |
Devil's Cargo |
Hoyts |
Crime |
USA |
Fox |
73 |
43 |
0 |
1 |
16 |
26 |
3 |
40 |
264 |
The Travelling Saleswoman |
Hoyts |
Com |
USA |
COL |
73 |
46 |
0 |
3 |
21 |
22 |
0 |
46 |
268 |
The Glass Mountain |
Hoyts |
Dram |
GB |
GBDFD |
72 |
40 |
0 |
2 |
20 |
18 |
3 |
37 |
268 |
Undertow |
Hoyts |
Crime |
USA |
UNI |
72 |
49 |
0 |
2 |
19 |
28 |
0 |
49 |
270 |
Free For All |
Hoyts |
Com |
USA |
UNI |
71 |
50 |
0 |
3 |
13 |
34 |
1 |
49 |
270 |
All Over the Town |
Hoyts |
Com |
GB |
GBDFD |
71 |
45 |
0 |
2 |
22 |
21 |
0 |
45 |
270 |
Siren of Atlantis |
Hoyts |
Adv |
USA |
UA |
71 |
42 |
0 |
1 |
21 |
20 |
2 |
40 |
270 |
The Heart of Virginia |
Indep |
Dram |
USA |
BEF |
71 |
32 |
0 |
16 |
7 |
9 |
0 |
32 |
274 |
The Lucky Stiff |
Hoyts |
Com |
USA |
UA |
70 |
28 |
0 |
2 |
18 |
8 |
6 |
22 |
275 |
The Lost Tribe |
Indep |
Adv |
USA |
COL |
69 |
25 |
0 |
12 |
12 |
1 |
2 |
23 |
276 |
Forbidden |
Hoyts |
Dram |
GB |
BL |
67 |
44 |
0 |
1 |
21 |
22 |
0 |
44 |
276 |
Outside the Wall |
Hoyts |
Crime |
USA |
UNI |
67 |
49 |
0 |
2 |
12 |
35 |
1 |
48 |
278 |
My Girl Tisa |
Hoyts |
Dram |
USA |
WB |
66 |
45 |
0 |
0 |
21 |
24 |
0 |
45 |
278 |
Third Time Lucky |
Hoyts |
Crime |
GB |
GBDFD |
66 |
44 |
0 |
0 |
22 |
22 |
0 |
44 |
280 |
Badger's Green |
Hoyts |
Com |
GB |
GBDFD |
65 |
37 |
0 |
2 |
24 |
11 |
0 |
37 |
281 |
Riders in the Sky |
Hoyts |
West |
USA |
COL |
64 |
39 |
0 |
1 |
15 |
23 |
2 |
37 |
282 |
Once a Jolly Swagman |
Hoyts |
Dram |
GB |
GBDFD |
63 |
43 |
0 |
2 |
16 |
25 |
0 |
43 |
282 |
Kazan |
Indep |
Fam |
USA |
COL |
63 |
26 |
0 |
13 |
11 |
2 |
0 |
26 |
284 |
Mr. Perrin and Mr. Traill |
Hoyts |
Dram |
GB |
GBDFD |
62 |
42 |
0 |
1 |
8 |
33 |
5 |
37 |
284 |
Remember (RR) |
Indep |
Com |
USA |
MGM |
62 |
26 |
0 |
15 |
2 |
9 |
2 |
24 |
286 |
I Cheated the Law |
Hoyts |
Crime |
USA |
Fox |
61 |
42 |
0 |
1 |
17 |
24 |
0 |
42 |
286 |
The Devil's Henchmen |
Indep |
Crime |
USA |
COL |
61 |
23 |
0 |
11 |
4 |
8 |
2 |
21 |
288 |
Floodtide |
Hoyts |
Dram |
GB |
GBDFD |
60 |
41 |
0 |
1 |
11 |
29 |
1 |
40 |
288 |
Shanghai Chest |
Indep |
Crime |
USA |
BEF |
60 |
23 |
0 |
12 |
7 |
4 |
1 |
22 |
290 |
The Calendar |
Hoyts |
Dram |
GB |
GBDFD |
58 |
44 |
0 |
1 |
12 |
31 |
0 |
44 |
290 |
Jungle Jim |
Indep |
Adv |
USA |
COL |
58 |
26 |
0 |
10 |
2 |
14 |
3 |
23 |
290 |
Barbary Pirate |
Indep |
Adv |
USA |
COL |
58 |
28 |
0 |
8 |
14 |
6 |
0 |
28 |
293 |
Adventure in Baltimore |
Hoyts |
Com |
USA |
RKO |
56 |
30 |
0 |
3 |
10 |
17 |
2 |
28 |
293 |
Rusty Saves a Life |
Indep |
Fam |
USA |
COL |
56 |
23 |
0 |
15 |
3 |
5 |
0 |
23 |
295 |
Madness of the Heart |
Hoyts |
Dram |
GB |
GBDFD |
55 |
28 |
0 |
1 |
5 |
22 |
6 |
22 |
295 |
Sons of Adventure |
Indep |
West |
USA |
BEF |
55 |
26 |
0 |
11 |
7 |
8 |
0 |
26 |
297 |
The Guilty |
Hoyts |
Crime |
USA |
BEF |
54 |
35 |
0 |
2 |
11 |
22 |
1 |
34 |
297 |
The Red Menace |
Hoyts |
Crime |
USA |
BEF |
54 |
39 |
0 |
4 |
7 |
28 |
0 |
39 |
297 |
King of the Gamblers |
Indep |
Crime |
USA |
BEF |
54 |
25 |
0 |
12 |
5 |
8 |
0 |
25 |
300 |
The Brass Monkey |
Hoyts |
Com |
GB |
UA |
53 |
22 |
0 |
2 |
9 |
11 |
4 |
18 |
300 |
Make Believe Ballroom |
Indep |
Mus |
USA |
COL |
53 |
25 |
0 |
10 |
8 |
7 |
0 |
25 |
300 |
The Big Fight |
Indep |
Com |
USA |
BEF |
53 |
25 |
0 |
10 |
8 |
7 |
0 |
25 |
303 |
Western Heritage |
Hoyts |
West |
USA |
RKO |
49 |
29 |
0 |
1 |
12 |
16 |
1 |
28 |
304 |
Blonde Ice |
Hoyts |
Crime |
USA |
Fox |
45 |
36 |
0 |
0 |
9 |
27 |
0 |
36 |
304 |
Drums Along the Amazon |
Indep |
Adv |
USA |
BEF |
45 |
18 |
0 |
4 |
9 |
5 |
3 |
15 |
306 |
Corridor of Mirrors |
Hoyts |
Dram |
GB |
GBDFD |
44 |
24 |
0 |
1 |
14 |
9 |
2 |
22 |
306 |
Blondie's Big Deal |
Indep |
Com |
USA |
COL |
44 |
18 |
0 |
9 |
8 |
1 |
0 |
18 |
306 |
The Secret of St. Ives |
Indep |
Adv |
USA |
COL |
44 |
21 |
0 |
8 |
7 |
6 |
0 |
21 |
306 |
Bomba the Jungle Boy |
Indep |
Adv |
USA |
BEF |
44 |
14 |
0 |
7 |
2 |
5 |
4 |
10 |
310 |
The Trespasser |
Indep |
Crime |
USA |
BEF |
41 |
17 |
0 |
9 |
6 |
2 |
0 |
17 |
310 |
High TIde |
Indep |
Crime |
USA |
BEF |
41 |
15 |
0 |
7 |
6 |
2 |
1 |
14 |
312 |
Look Before You Love |
Hoyts |
Com |
GB |
GBDFD |
39 |
23 |
0 |
2 |
12 |
9 |
0 |
23 |
312 |
Under Nevada Skies |
Indep |
West |
USA |
BEF |
39 |
17 |
0 |
7 |
8 |
2 |
0 |
17 |
312 |
Anthony Adverse (RR) |
Sub |
Dram |
USA |
WB |
39 |
10 |
0 |
1 |
1 |
8 |
10 |
0 |
315 |
Guns of Hate |
Hoyts |
West |
USA |
RKO |
37 |
27 |
0 |
1 |
8 |
18 |
0 |
27 |
316 |
Superman |
Hoyts |
Scifi |
USA |
COL |
35 |
8 |
0 |
1 |
3 |
4 |
6 |
2 |
316 |
Eyes in the Night (RR) |
Indep |
Crime |
USA |
MGM |
35 |
17 |
0 |
8 |
2 |
7 |
0 |
17 |
316 |
Blondie's Secret |
Indep |
Com |
USA |
COL |
35 |
15 |
0 |
9 |
2 |
4 |
0 |
15 |
319 |
Valiant Hombre |
Hoyts |
West |
USA |
UA |
31 |
21 |
0 |
0 |
10 |
11 |
0 |
21 |
319 |
The Weaker Sex |
Hoyts |
Dram |
GB |
GBDFD |
31 |
20 |
0 |
0 |
11 |
9 |
0 |
20 |
319 |
Rim of the Canyon |
Indep |
West |
USA |
COL |
31 |
13 |
0 |
5 |
2 |
6 |
1 |
12 |
322 |
Miracle on 34th Street (RR) |
Hoyts |
Fam |
USA |
Fox |
30 |
6 |
0 |
1 |
2 |
3 |
6 |
0 |
322 |
Daybreak |
Hoyts |
Crime |
GB |
GBDFD |
30 |
23 |
0 |
0 |
7 |
16 |
0 |
23 |
322 |
Loaded Pistols |
Indep |
West |
USA |
COL |
30 |
15 |
0 |
2 |
11 |
2 |
0 |
15 |
325 |
The Gay Amigo |
Hoyts |
West |
USA |
UA |
29 |
22 |
0 |
1 |
5 |
16 |
0 |
22 |
326 |
Earl Carroll Sketchbook |
Indep |
Mus |
USA |
BEF |
28 |
8 |
0 |
4 |
0 |
4 |
2 |
6 |
327 |
To Live in Peace |
Indep |
War |
ITA |
FDB |
27 |
4 |
0 |
3 |
1 |
0 |
3 |
1 |
327 |
The First Gentleman |
Indep |
Dram |
GB |
COL |
27 |
6 |
0 |
3 |
3 |
0 |
3 |
3 |
327 |
One Night With You |
Sub |
Com |
GB |
GBDFD |
27 |
15 |
0 |
2 |
8 |
5 |
0 |
15 |
330 |
Gun Smugglers |
Hoyts |
West |
USA |
RKO |
24 |
15 |
0 |
1 |
7 |
7 |
0 |
15 |
330 |
Things Happen at Night |
Hoyts |
Com |
GB |
GBDFD |
24 |
16 |
0 |
2 |
4 |
10 |
0 |
16 |
330 |
Robin Hood of Texas |
Indep |
West |
USA |
BEF |
24 |
9 |
0 |
7 |
1 |
1 |
0 |
9 |
333 |
Murder in the Big House (RR) |
Hoyts |
Crime |
USA |
WB |
22 |
14 |
0 |
1 |
2 |
11 |
2 |
12 |
333 |
Poet's Pub |
Indep |
Com |
GB |
GBDFD |
22 |
10 |
0 |
2 |
2 |
6 |
1 |
9 |
335 |
The Rustlers |
Hoyts |
West |
USA |
RKO |
21 |
16 |
0 |
1 |
3 |
12 |
0 |
16 |
335 |
Bill and Coo |
Indep |
Fam |
USA |
BEF |
21 |
7 |
0 |
2 |
4 |
1 |
1 |
6 |
337 |
Christopher Columbus |
Hoyts |
Dram |
GB |
GBDFD |
19 |
13 |
0 |
0 |
2 |
11 |
2 |
10 |
338 |
The History of Mister Polly |
Sub |
Dram |
GB |
GBDFD |
18 |
9 |
0 |
2 |
5 |
2 |
0 |
9 |
339 |
The Gallant Legion |
Indep |
West |
USA |
BEF |
16 |
6 |
0 |
2 |
2 |
2 |
2 |
4 |
340 |
Will it Happen Again? |
Hoyts |
Doco |
USA |
Fox |
15 |
12 |
0 |
0 |
3 |
9 |
0 |
12 |
341 |
Moonrise |
Indep |
Crime |
USA |
BEF |
14 |
4 |
0 |
2 |
0 |
2 |
1 |
3 |
341 |
It's Hard to Be Good |
Sub |
Com |
GB |
GBDFD |
14 |
9 |
0 |
0 |
5 |
4 |
0 |
9 |
343 |
Love, Honor and Goodbye |
Indep |
Com |
USA |
BEF |
13 |
8 |
0 |
2 |
1 |
5 |
0 |
8 |
344 |
London Belongs to Me |
Indep |
Dram |
GB |
GBDFD |
12 |
4 |
0 |
0 |
0 |
4 |
4 |
0 |
345 |
The Big Sombrero |
Sub |
West |
USA |
COL |
11 |
6 |
0 |
1 |
3 |
2 |
0 |
6 |
346 |
December Night |
Indep |
Dram |
FRA |
FDB |
8 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
347 |
Over the Santa Fe Trail |
Indep |
West |
USA |
COL |
7 |
4 |
0 |
1 |
1 |
2 |
0 |
4 |
347 |
Stop Press Girl |
Indep |
SciFi |
GB |
GBDFD |
7 |
6 |
0 |
0 |
1 |
5 |
0 |
6 |
349 |
False Paradise |
Indep |
West |
USA |
UA |
6 |
5 |
0 |
0 |
1 |
4 |
0 |
5 |
349 |
When the Bough Breaks |
Indep |
Dram |
GB |
GBDFD |
6 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
351 |
Frontier Gunlaw |
Indep |
West |
USA |
COL |
5 |
4 |
0 |
0 |
1 |
3 |
0 |
4 |
351 |
1950 British Empire Games |
Indep |
Doco |
NZ |
UNI |
5 |
3 |
0 |
1 |
0 |
2 |
0 |
3 |
353 |
Mourning Becomes Electra |
Hoyts |
Dram |
USA |
RKO |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
353 |
Trouble in the Air |
Indep |
Com |
GB |
GBDFD |
4 |
3 |
0 |
0 |
1 |
2 |
0 |
3 |
355 |
Confessions of a Rogue |
Hoyts |
Crime |
FRA |
FDB |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
355 |
Strange Gamble |
Indep |
West |
USA |
UA |
3 |
3 |
0 |
0 |
0 |
3 |
0 |
3 |